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Yore Town

Yore Town

Yore Town Podcast is a true crime and dark history podcast uncovering real small-town mysteries, forgotten crimes, unexplained events, and buried history from places most people overlook. Each episode delivers deep-dive storytelling into true crime cases, unsolved disappearances, eerie local legends, historical cover-ups, and strange but 100% real stories that actually happened. No clickbait. No internet myths. Just well-researched, fact-checked episodes designed to keep you listening until the very end. From chilling murders and cold cases to strange historical moments and unsettling mysteries, Yore Town Podcast blends true crime podcast tension with immersive narrative storytelling. These are the kinds of stories...

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    Yore Town
    Episode•April 20, 2026•33 min

    Pearl Bryan's Head Was Never Found | The Crime That Haunts Indiana and Kentucky

    Pearl Bryan The Missing Head Mystery | Yore Town Pearl Bryan The Missing Head Mystery is one of the most disturbing pieces of true crime history in small-town America. This unsolved mystery from 1896 still haunts investigators, historians, and anyone who dares to look deeper into what really happened. In this episode of Yore Town, we take you deep into the chilling story of Pearl Bryan—a young woman from Indiana whose life ended in one of the most infamous and brutal crimes of the 19th century. Found in a quiet Kentucky field, her body told a horrifying story… but one crucial piece was missing. Her head was never recovered, and the men responsible went to their graves keeping that secret. This isn’t just a murder story—it’s a layered, unsettling look at deception, control, and a crime that refuses to be fully understood. Inside This Mystery: The small-town crime that shocked Indiana and Kentucky in 1896 The disturbing details behind one of America’s earliest cold cases The dark history of illegal medical practices and hidden scandals The unanswered question that still defines this unsolved mystery How this case evolved into one of the region’s most chilling urban legends Every town has a past. Yore Town uncovers the real stories, forgotten crimes, and local mysteries that time tried to bury. From small-town secrets to nationally overlooked cases, we go beyond the surface and into the details that still don’t sit right. Timestamps: 00:00 - Introduction to the story of Pearl Bryan and its unresolved nature 01:28 - Pearl’s background and her context in small-town Indiana 02:55 - The critical detail: the missing head and its significance 04:23 - The cultural setting: small town gossip and reputation 05:53 - The crucial moment Pearl trusts the wrong person 07:19 - The involvement of two medically trained individuals and their role 10:04 - The implications of Juliet’s pregnancy and societal shame 12:20 - The impact of trust and public perception on Pearl’s fate 14:04 - The criminal plan: was it an abortion or murder? 16:19 - The coordinated effort and the dark intentions behind the crime 18:41 - The last moments of Pearl’s life and her trust in Jackson 20:06 - The controversy over the medical evidence and what the crime scene reveals 22:22 - The investigation strategies of the late 1800s and the significance of physical evidence 23:52 - The story’s turning points: Jackson’s and Walling’s stories and their vagueness 26:18 - The decision to remove the head and its meaning in the investigation 28:19 - The control exerted by the killers and the silence at trial 29:42 - The importance of the missing head as a symbol of truth and closure 31:29 - Why some stories remain forever incomplete, just like Pearl’s case ️ Part of the Beard Laws Studio network. New Yore Town mysteries every week — subscribe to help us uncover the past. #️⃣ #TrueCrimeHistory #SmallTownMysteries #YoreTown #DarkHistory #UnsolvedMystery Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com (https://pcm.adswizz.com) for information about our collection and use of personal data for advertising.

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    Transcript

    0:00

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    0:30

    There are some stories that feel finished. You hear them, you process them. Then your brain neatly files them away. The beginning, the middle, the end. But every once in a while, you come across a story that just refuses to do that. It kinda kind of lingers. It kinda sticks. It leaves something unresolved, almost like a sentence that never quite ends. And usually that's become, well, something's missing. And In January of 1896, a young woman named Pearl Brian left her home in Green County, Indiana. She wasn't running away. She wasn't disappearing. She wasn't even trying to start a new life. She told her family she'd be gone briefly, just long enough to take care of something important, and then she'd be right back. Now, I want you to picture that moment. A cold Indiana morning. A train station that isn't crowded, but it's not quite empty, either. There's people. They're coming. They're going. The old steam is rising.

    1:37

    The sound of metal in motion. And Pearl standing there with a quiet kind of urgency. Not panic, not fear, but something heavier. Because she wasn't carrying a secret. Secret that in the world she lived in, had the power to completely undo her life. She was pregnant. She was unmarried. And in 1896, that wasn't just difficult, that was devastating. So she did what many people would, I guess, do in that moment. She turned to the person she trusted the most. The man responsible. Scott Jackson. And he told her exactly what she needed to hear. Just come to Cincinnati. I'll take care of it. Now, that phrase, I'll take care of sounds pretty comforting. Sounds like control. Sounds like solution. But sometimes it's none of those things. Because a few days after Pearl stepped onto that train, they found her body in a quiet field in Kentucky. No witnesses, no signs of a struggle. No indication of what went wrong.

    2:48

    And one detail so disturbing that it transformed this case from tragedy into something far more haunting. Her head was gone, and it's never been found. What do you think of that Mickey. There's a lot packed into that little sentence, huh? I guess not. Sentence. Paragraph. Intro.

    3:14

    Hook.

    3:14

    I think we hooked them. Did I hook you? I saw as it was going you were like getting a little more and more. It's crazy, right? 1896. I don't know what it's like. I just kind of read whatever history wants us to know and it's. It's pretty wild. And being a unmarried woman who was pregnant in that time, not a good thing, was it?

    3:39

    Probably not. I'm going to guess.

    3:42

    What's that?

    3:43

    I said I'm going to guess. Probably not.

    3:44

    Yeah. Obviously we weren't there, but yeah, we traveled back. Because this story not only kind of fits that true crime, but it also has kind of some local legends, some local lore, and some. Some interesting stories and things that have came from it. So I figured this was. This was a decent one and started off with a cold Indiana morning. And, well, we woke up middle of April, cold, snow on the ground, and it's just unbelievable how it was in the 80s yesterday and cold and snow again today.

    4:21

    And they wonder why we're all sick.

    4:24

    Right? Mother Nature must be bipolar. Would that be the thing? Is that the right condition or she just doesn't like us? Meg.

    4:33

    Menopause.

    4:34

    She's menopausal. Menopausal. Mother Nature. Is that your new band name?

    4:40

    Sure.

    4:43

    But anyway, obviously the voice you're hearing, it's me. It's mad as beard. Maybe it's not even obvious. Maybe that's the first time. Make this a first time listener right now. Well, thanks for listening, first timer. Well, first timer, welcome, welcome. Yeah, welcome to the your town podcast. Small towns, big stories. And there's usually a common theme. Nothing ever happens here until it does. And joining me is the beautiful Dun Dun Queen. Meg.

    5:12

    Hey.

    5:13

    Feeling a little bit better, though.

    5:17

    I kind of go back and forth. Do you think I'm getting better? And then I take it a step back. I think I'm getting better and I take another step back.

    5:25

    Yeah, we'll get rid of it eventually. By the time we get rid of the sickness, it'll be fall again. It's been a long winter. This is one of, if not the longest winters that we have. But thankfully we got the OR town podcast so we can kill some time. Right? Speaking of killing, should we jump into this story?

    5:46

    Yeah, let's do it.

    5:47

    All right. Buckle up, your townians. That's not a train sound. That's Meg. You're gonna hear some coughing again. Listen, we're Not a professional podcast. We just pretend to, you know, know what we're doing out here. And we're both sick, so she's gonna cough. I'm gonna cough. I'm. She got me sick. What?

    6:05

    Why? He goes straight to blaming me.

    6:07

    Well, you were the only one sick in the house, so I have to blame you. What?

    6:12

    There were two that started it before me.

    6:15

    Oh, well, all I know is it wasn't my fault. I didn't know. All right, let's go ahead and jump into this, cuz I. I feel like to really understand this story, we need to understand the life of Pearl. Brian, right? Pearl's such a beautiful name. Do you think it'll ever come back? I like that name, yes. Pearl.

    6:36

    I think that's slowly making a comeback.

    6:38

    Is it? I don't know anybody named Pearl. What's the first thing you think of when you hear the word Pearl go?

    6:45

    The duck in my windshield.

    6:47

    You have a duck in your windshield named Pearl?

    6:49

    I do.

    6:49

    Oh, I think Pearl Harbor. I think it's fresh in my brain because the parents are going to Hawaii. Hawaii? Honolulu. That's one of the, that's one of the most fun words to say, isn't it? Yeah. You can't not say Honolulu and smile. Look at you, you're smiling. You said Honolulu, right?

    7:11

    It's a good word.

    7:12

    Just found something there. Anyways, back to Pearl. She was, you know, let's, let's, let's figure out her life before any of this craziness happened. Because she wasn't on the margin, she wasn't drifting, she was exactly where she was supposed to be. She was born in 1874 into a large established family in Green County, Indiana. Pearl, she grew up in a world that valued stability, structure, reputation. Her father, you know, her father's name was Meg. What do you think Pearl's dad's name was?

    7:46

    Carl.

    7:47

    Close. Alexander. Brian. Can't trust a man with two first names. He wasn't just another. What was his profession, you think?

    7:56

    Carpenter?

    7:57

    Close. Farmer. He was known. He was respected in a small towns, especially in the late 1800s that meant everything. Because your name wasn't just your identity, it was your currency. And Pearl carried that name. She was the youngest. Guess how many kids ahead?

    8:18

    Nine.

    8:19

    Really close. Ten. Do you think I was gonna say like two?

    8:23

    No.

    8:24

    Yeah.

    8:24

    Ten kids unheard of back then.

    8:27

    What's that?

    8:28

    I said that 2 was unheard of back then.

    8:30

    I know, right? 1. You have to imagine because lack of medical stuff, you probably unfortunately lose some kids throughout the day with some Sickness. And two, you just need some help on that farm. She was the youngest. Could you imagine being the youngest of tenure on the other way? You're the oldest of a handful. It felt like 10. Which being the youngest meant a couple of things, right? You're either overlooked or you're very protected. And everything we know suggests that she was protected. There's no record of her ever causing any problems. There was no reputation for rebellion. There was not even a whisper of her stepping outside the expectations that were placed on her. She was, by all accounts, Meg, exactly who her family and the community expected her to be. I have to imagine as a. As a female in that time has to be pretty darn difficult.

    9:28

    You know, it almost kind of reminds me of, like, potentially how the Amish kind of women are still living. Like they're expected to do things. You know what I mean? They, you know, need to, you know, hold the values of the religion, respect the family name. I mean, I was watching the other day, the. The Amish, like I grew up. You hold the door for a woman. This Amish dude, the other day, after, as I was leaving the store, didn't even hold it for her. He was just like. And she, like, had to catch up. I was like, come on, man, you're being mustard. That's a good joke. No, I'll post edit. Put a little chuckle in there.

    10:07

    Yeah, I got it.

    10:08

    But with all of that stuff, the pressure starts to add up. Because when you grow up in a world like that, there's not a lot of room for mistakes. Especially not this kind of mistake. Because an unmarried pregnancy in 1896 wasn't just a personal situation. It was a pretty public one. Because it didn't stay private. We all live in small towns. Not a lot of things stay private, do they not?

    10:37

    Not around small towns.

    10:38

    Not around small towns. Even before the Internet, people knew about everything. Did you hear that this happened to Billy Joe Bob's, Frank's cousins, Bill.

    10:48

    So darn small town diners.

    10:50

    Oh, but I love good small town diner.

    10:53

    Right?

    10:54

    Shout out. Silverleaf Diner. Our first experience there.

    10:57

    Going back.

    10:58

    We are going back. Great prices, great people.

    11:01

    My order in the same thing. Yep.

    11:04

    I love that you did that. Because you're not the only one that sees four things on the menu. This is what you want, and then you pick. Pick something else and you regret it. I kind of did that. I didn't really know I was leaning towards burgers, but I had a backup plan when she told me that it was her mom's favorite kind of like, hit my heartstrings, like, I gotta try it. And it was named after the place. Yeah, but what do I always do when I go into a menu? I try to find something that is, like, so different and unique to that place. That was one of them. It was different. Like a maple style burger. The other burger was a little different. Yes, it's a burger, but they didn't

    11:37

    really have it, though.

    11:38

    It was good. I'm not saying it was, you know, it was really good.

    11:40

    It was not as good as mine.

    11:41

    Not as good as yours is what I'm getting at. But just a little touches. Like, the youngest orders a pancake, they put a big smiley face on it with some whipped cream, like it was,

    11:51

    you know, strawberries on the side.

    11:53

    Four out of five of us were in a pretty good mood, so that's pretty good odds. Yeah. Yeah. Anyways, this. Listen, this. This private family matter, it didn't stay contained. It spread. I spread through conversation, through assumption, through judgment. And once that gossip spread, it changed everything for the woman involved. It could mean isolation. Your reputation's destroyed, opportunities gone. You're probably not allowed to go into church anymore. In some cases, being pushed out of the very life you grew up in, especially in these times, is not an easy adjustment. So when Pearl realized she was pregnant, she wasn't just dealing with fear. She was dealing with consequence. And instead of turning to her family, well, she turned to him. I mean, it's probably the move. The family's gonna disown her. She's gonna have to get out of there. Probably. I don't know. It's crazy. Crazy. So him. We said we turned to him?

    13:07

    No, he turned to another man with two first names. Scott Jackson enters the story as a solution. Right, but the more you kind of dig into old Scotty Boy, the more he starts to look like the problem. He wasn't from Greene County, Mag. He wasn't part of that tightly woven community. He was from somewhere else. Cincinnati. It says sin right in the name. It was a city. It wasn't a small little town. It wasn't a small little country place. It was a city. In the late 1800s, that difference mattered because cities, they represented something small towns didn't. They represented opportunity, independence, and, for some, a level of anonymity. Whoa. Anonymity. Whoa, that's right. Right. Anonymity, like anonymous anonymity. I think I just had a stroke. You could be anonymous in a city. That's.

    14:08

    That's more anonymity.

    14:11

    Anonymous. That's a fun word to say not as cool as Honolulu. But Jackson, he was studying dentistry at Ohio College of Dental Surgery, which at the time was a legitimate and respected path. Right. Being a dentist in the late 1800s probably has some good business. You're probably ripping out some teeth pretty poorly. But dental care wasn't a priority in the late 1800s, I would have to imagine. So, I mean, he's going to be a dentist. This isn't just a drifter, you know, this isn't, you know, people in a lot of the episodes we've done that are just, you know, in the 1970s, drifting through Texas and, you know, Oklahoma and just murdering people. This, you know, he had direction, he had education, he had ambition, and maybe more importantly, he had confidence. The kind of confidence that makes people believe you know what you're doing, even though you have no clue what you're actually doing.

    15:09

    That's exactly what Pearl needed to believe, because when she wrote him, she wasn't asking for comfort. She wasn't asking for a solution. And his response was immediate. His response was direct. His response was controlled. Come to Cincinnati. I'll handle it. Pause there, because that's the moment everything shifts. Because from that point forward, Pearl's no longer in control of the situation. She's trusting someone else to guide her with what happens next. You know, Scotty boy, he doesn't prepare to help her alone. He brought somebody else in. Guess who we brought in, Meg? His brother, Alonzo Walling. And that decision changes everything. Kind of like Alonzo, too. Alonzo and Pearl. We ever have some more kids, can one of them be Alonzo or Pearl? Maybe. Should we avoid it?

    16:06

    I think we're gonna avoid that one.

    16:09

    But the names are the kids or both.

    16:11

    Probably both.

    16:12

    It's probably a good thing.

    16:13

    I think we're past that point.

    16:14

    I think so, too. Getting closer to being able to move somewhere. Oh, there's that, like, little period we gotta go before we start having grandkids, because I feel like that's when you get stuck. Right? We gotta. We got a real small window. All right, let's talk about Alonzo, because he's one of the most overlooked pieces of this story. Are you doing math over there?

    16:38

    Kinda.

    16:39

    Well, I mean, there's seven years between an oldest and the youngest that's trying

    16:44

    to figure out how old

    16:48

    the oldest would be when she graduates. She'd be like, 25ish. Yeah. I want to think about it. Alonzo going back to him overlooked. But it's pretty important because his presence confirms something pretty critical. Meg, this wasn't impulsive. It wasn't reactive. It was coordinated. Walling like old Scotty boy was a dental student. Which means both of these men had access to tools medical knowledge.

    17:18

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    17:49

    In the understanding of how all the body works right now, think about that in context. Two medically trained individuals preparing to handle an illegal risk procedure. Already, that's dangerous. Already that's questionable. But here's where it gets even darker. Because involving a second person introduces risk. More people means more exposure, more chances for something to go wrong. Unless you believe what you're doing requires it. And that raises a question that investigators, historians, and, well, others have never fully answered. Were they trying to accomplish potentially an abortion or was it an excuse to potentially just straight end her life? Because everything we see from this point forward. Well, what do you think? What's your gut say? Are they going to try to do a procedure or are they going to try to potentially eliminate. I know they're going to medical school. School, they're going to be a dentist and stuff, but they.

    18:53

    This is a much different procedure than ripping out a tooth or doing a rock.

    18:56

    I was just trying to figure out how they got from the situation they were in to a beheading.

    19:02

    Yeah.

    19:04

    In a field.

    19:06

    Pretty interesting, right?

    19:09

    Right. It was in a field, Founder. In a field

    19:14

    which my brain went, you know, probably a dump, but all right. Something like this, regardless, seems to probably going to end badly. Unless she thought, hey, I'll handle this. Meaning like, hey, we're going to come out. We'll, you know, fall in love. We'll be together. Huh? January 28, 1896. She gets on that train. And I wanted to stay in this moment for a little bit because it's easy to rush past this. But. But this is the last moment in her life where things still kind of make sense to her. Right. Because she believes she's solving a problem. She believes she's going to fix her future. She believes she's going to come back home with everything intact. And that belief matters because it shows you something about her mindset. She wasn't Suspicious. She wasn't afraid of Jackson. She trusted him completely. And that trust carried her forward into a situation she didn't fully understand. Because when she arrives in Cincinnati, she's.

    20:17

    She's stepping into a situation that had already been set in motion. Two men, one plan. And a version of events that she was never fully part of. You know what stands out in a story like this, Meg? Trust who you put it in and whether it's earned or maybe it's just assumed. And look, we've all made the mistake of trusting the wrong thing at some point. Bad products, bad decisions, stuff like that. Stuff that just didn't deliver. That's why I keep it simple. When it comes to my beard, Meg, I go with live bearded because there's no guessing. Premium ingredients, straightforward products. Do you know they have a 365 day guarantee? That's confidence, Meg. That's knowing what you're getting. So if your beard's been looking like it's going through its own rough chapter, let's go to livebearded.com use code beardlaws. Take control of it the right way. Right. All right.

    21:13

    I think we've arrived at the part of the story that should be the clearest, but somehow isn't. Because what happened in Cincinnati is where the truth fractures. Jackson claimed it was an attempted abortion that went wrong, that Pearl died as a result. But the medical findings, they don't support this, Meg. There's no clear evidence that a complete procedure had even taken place, which now creates a little bit of a gap. And in cases like this, gaps are where the truth hides. Because if the procedure didn't happen the way he described, then what did? Was it botched? Was it abandoned? Or was that explanation created afterward to something far, far worse? Because what we do know is what happened next. And that part, it's pretty undeniable. There's a moment in every investigation where everything should start making sense. I mean, you have a victim, you have suspects. You even have a timeline. In most cases, that's where the fog lifts.

    22:13

    But this story doesn't do that. Because by the time Pearl Brian's body is discovered, investigators aren't stepping into clarity. They're stepping into something that feels off. Not chaotic, not sloppy, but controlled. Like whatever happened was done by someone who believed that they had already thought it all through. That's what makes this part of the story so unsettling. Because from this point forward, you're not watching someone try to escape what they did. You're watching someone manage what they did. But your Gu. Still. Still at the same. Same gut feeling.

    22:53

    Did you say there was no sign of struggle?

    22:55

    Didn't. Again, technology much different in the late 1800s, investigations and stuff like that. And I would have to imagine, and this is a straight assumption, that the way that male cops probably did cases towards females was probably a much different than they do now. You know what I mean?

    23:21

    So would they use chloroform? They could knock them out.

    23:27

    Good. Maybe some arsenic. A lot of arsenic poisonings. Remember the one that we did about the. The bar? So once Pearl is identified, the investigation begins to tighten. And it tightens pretty quick, because unlike a lot of the cases from this period, there actually were traces. There were paper trails, witnesses. But all those details, they started to stack up a little bit, you know, and those railroad employees, they remembered her. There was a young woman traveling alone, heading towards Cincinnati. That wasn't unusual, but it wasn't invisible either. Then you have letters, the correspondence between Pearl and Scott Jackson. They got him. And those letters mattered more than anything else in this phase of the case because they established intent. They show that Pearl didn't just randomly end up in Cincinnati. She was called there. She was invited there. She was directed there.

    24:27

    And when investigators began speaking to people in the old Cincinnati area, his name starts surfacing almost immediately. The hotel staff, they remember him. He wasn't alone. He was with a young woman that matched Pearl's description. And here's where it gets interesting, Meg. Because Jackson doesn't run, he doesn't disappear. He doesn't even really try to distance himself from the situation. He just stayed in place. And that kind of behavior can mean one of two things. He either believes he's innocent, or he believes he's already covered everything that matters. So the police, they bring him in, and at first, he talks, but not in a way that helps. He just kind of gives enough to stay cooperative, just enough to appear open, but never enough to fully explain what happened. And that's when investigators realize something pretty important. Jackson isn't confused. Jackson's controlled. Once Alonzo is brought in, everything should get clear, right?

    25:32

    Because now you have two people involved, two perspectives. It was two different versions of the events. But instead of clarity, you know what they got, Meg? Conflict. Their stories don't match. Not cleanly, not consistently. And that inconsist. Inconsistency. Whoa. Stroke number two of this episode becomes one of the defining features of this case. Jackson leans into, you know, the abortion narrative. He claims Pearl came to him for help. She was desperate. They attempted a procedure, and something Went wrong. Walling's version, though, it shifted more, at times aligning with Jackson, at times distancing himself. But here's where both men avoid details, specifics. They speak in general terms, you know, broad explanations, Nothing that allows investigators to lock down a precise sequence of events. When you start to see that pattern, it tells you something, because people who are telling the truth, they tend to anchor themselves in details.

    26:30

    People are hiding something. They stay vague. Both of them. You would have thought they were in the vague magazine. Oh, that's Vogue, isn't it? Either way, they both stayed vague with no magazines, which forces investigators to focus not just on what they're saying, but on what they're not saying. Let's move just to the part of the case that kind of changes everything, because whatever happened in that room, there was a moment after Pearl died, there was a pause. There was a. A decision point. That decision is what defines the entire story. Two men, educated, aware, capable of understanding the consequences of which has happened. And instead of choosing transparency, they chose control. They transport her body from Ohio into Kentucky across state lines. I'll think about what that requires. Time, planning, movement. This isn't panic. This isn't someone acting on instinct. It's deliberate. Then they take it even further.

    27:28

    For whatever reason, they remove her head. I want you to sit with that for a second. Because it's easy to say it quickly. It's harder to actually think about what it means. I mean, you'd have time. You had to have tools. You had to have intention. You had to have knowledge. More importantly, you had to have a reason, because this isn't something you do unless you believe it matters. Investigators at the time believed it was to prevent identification, dental records. But that explanation has holes because her body wasn't hidden. Her body wasn't destroyed. It wasn't concealed in a way that suggests they were trying to make her disappear completely. She was left exposed, which creates a pretty big contradiction. If you want to hide a crime behind a body, if you want to send a message, you leave it. And in this case, they left it. But remove the one piece that could answer everything. Weird, right?

    28:27

    From this point forward, the investigation becomes centered around one thing. In one thing, where's the head? Right. I don't know if you're thinking this, but it's not just a detail. It's the key. And it's the piece that could well confirm the cause of death, reveal physical evidence, validate or destroy Jackson's story. And investigators, they know it. So they press them over and over where Is it? What do you think their voice sounded like? Where's the head?

    29:06

    That sounded good.

    29:07

    That's pretty good. And Jackson's response was always consistent, Cold, unmoving. He refuses. And when the pressure increases, even when the consequences become clear, even when the execution is on the table, he does not give it up. That level of control is rare. You know what I mean? Because most people, when facing death, they start trading information. They look for leverage. They look for anything that might shift their outcome. Jackson doesn't. Which raises a terrifying possibility that whatever the truth is, it mattered more to him to keep it hidden than to save his own life. So by the time the trial begins, it's no longer a local case. It's national newspapers. They're covering it. And, well, pretty big detail. Every development, every statement, every contradiction. The courtroom packed not just with officials, but with people watching, waiting, trying to understand how something like this could even happen.

    30:11

    The prosecution builds a case centered on intent, planning, control. They argue that this wasn't an accident. This wasn't panic. This wasn't a situation that escalated into murder and was then managed in such a calculated way. They leaned into the abortion narrative. They suggest desperation, fear. A situation that spiraled out of control. But there's a problem with that defense. Because nothing about what happened after her death feels uncontrolled. And the jury, they start to see it. Verdict comes back. Meg, what do you think it is?

    30:44

    Indecisive?

    30:46

    Guilty. Both men know what their sentence was. H Death by hanging.

    30:52

    H Different times.

    30:55

    Much different times. Now we arrive at the final opportunity. The last moment where this story could have been completed. Because up until the very end, Jackson has given chances. Tell us where the head is. Just give us closure. Provide answers. And every time, he refuses. Now imagine that standing at the edge of death. One piece of information that could change everything about how the story ends. And choosing not to share it. It's not fear. That's decision. You know what's wild about stories like this? They pull you in. You start digging. Suddenly, hours are gone. You're connecting dots, chasing details, trying to make sense of something that just won't fully come together. If you're anything like me, you need something that keeps you locked in without crashing. Halfway through. Is why we drink our squatch juice. Clean energy. No jitters, no nonsense. Just something that keeps your brain just firing when you're digging deep.

    31:52

    So if you're trying to dive into stories like this or just trying to stay sharp throughout the day, go to squash shoes.com beardlaw Stay focused. Because some Stories, they don't let you go easy. I'm about to hit him with the outro. Meg, what do you. What do you got on this story? What are you thinking?

    32:09

    It's creepy.

    32:10

    Yeah, that's it? It's creepy? That's all you got?

    32:16

    There's so much still that's unanswered at this point.

    32:20

    I don't think we're ever gonna get those answers.

    32:22

    Probably not.

    32:23

    Just sucks that they did it. Neither of them were willing to just give the final closure of where's the head? Why the head? Don't know what the good thing is. At least we don't think like these people, because these people are sick. So some stories, they end with answers. This one, unfortunately, doesn't. Because even though the men responsible were caught, they were tried, they were executed. There's still something missing. And it's not just physical. It's narrative. It's. It's closure. It's the part of the story that would let you finally say, I understand what happened. But we don't. Not completely. And maybe we never will. Because whatever happened in that room, whatever led to that decision, whatever truth was hidden in that missing piece and went with them and it stayed buried. Just like the one thing everyone has been looking for since, well, 1896. That's all we got. What you think of it? All right.

    33:23

    Yeah.

    33:26

    Poor Pearl.

    33:27

    Poor Pearl.

    33:28

    Unbelievable. All right, well, let's. Let's get out of here. We got a lot of things to do, places to be, episodes to record. So what we're gonna do is we're gonna come up with another one and figure out at the end of next week who we're gonna say poor Who? Just like, poor, poor Pearl. All right, that's all we got. Thanks, everybody. We appreciate you. We'll be back next week. Bye. Bye.

    33:56

    Bye.

    34:18

    If you like the show, please take a moment to rate, review and subscribe. It really does help the show to grow. Thank you for listening.

    Pearl Bryan's Head Was Never Found | The Crime That Haunts Indiana and Kentucky

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